It offers a catchy melody around a hook-laden riff. The song was masterfully written, performed, and produced, even drawing comparisons to the work of [[the Beatles]] with its flawless execution of post-[[WWII]] [[pop rock]]. To be sure, the song quickly established Ratt as a force to be reckoned with in the realm of [[music]] and stands as an eternal testament to their golden era during the mid-[[1980s]].
The song serves as a definitive manifesto for the ideological trajectory of the band. It's shamleless embrace of [[Absolute idealism|Absolute Idealism]] offers a striking juxtaposition to the popular [[worldview]]s of the day, including [[nihilism]], [[existentialism]], and [[social relativism]].
However, Ratt cannot be neatly catogorized as simple [[Neo Hegelians]]. Their work is rooted in [[Antiphon]]'s rhetoric much more than [[Platonic]] discourse. Even then, Ratt also offered a new take on philosophy that can be ascribed to no one but Ratt, making them true originals.
This also reflected in their music, as their brand of rock was based on influences different than that of their peers. However, they can be seen as helping evolve the musical landscape all their own, again in deep contrast to other artists of their time.
The video conveys Ratt's desire to rebel against the [[ivory tower]] elites who'd usurped control over all matters of popular discourse. Ratt co-opted [[Ronald Reagan]]'s message of restoring power to the people, as opposed to the stuffy pseudo-intellectual liberal academics who'd asserted themselves (along with their blasé [[rhetoric]]) during the [[1960s]] and [[1970s]]. However, Ratt's take on this view is rooted in [[rebellion]] from [[oppression]] and therefore [[anti-authoritarian]]. Though Reagan fought off [[tyranny]] through his [[geopolitical]] policies, his was premised on a restoration of popular [[worldview]] to an older from of idealization ("[[The American Dream]]"). Ratt didn't neccesarily discount the [[archetype]], but they did offer an entirely different take on the concept.
No comments:
Post a Comment